As a teenager, I was
given Jean Webster’s delightful romance Daddy Long Legs and its sequel, Dear
Enemy. It was my first encounter with a novel written entirely as a
series of letters and it is a format I have liked ever since.
The first
epistolatory novel, which I don’t suggest anybody try and read, was Samuel
Richardson's Pamela (1745). It was
the runaway three-volume bestseller of its day, but much too ponderous for the
modern reader, even though its soap-opera plot will not be unfamiliar.
Pamela is of interest to me only because the NGV holds four of the twelve
illustrations that Joseph Highmore did in 1762 for the second edition of the novel.
They are very elegant engravings, depicting the costume of the time in great
detail. Have a look at them next time you visit the NGV – they hang right near
Highmore’s self-portrait.
We Need To Talk About Kevin by Lionel Shriver consists of letters from
Eva, Kevin’s mother, to her husband Franklin. The reason they have to talk
about Kevin is that he is in prison, having just shot and killed a number of
classmates and teachers at his high school, a scenario that evokes the
Columbine killings. This is a chilling novel that grips the reader’s attention
right until the startling end.
Ladies of Letters
by Carole Hayman gives us the entertaining correspondence between Irene and
Vera: they are fiercely competitive and we learn all about their long-suffering
families as they strive to outdo each other with their recipes, grandchildren
and small-town dramas.
I'll Be Seeing You by Suzanne Hayes is
another WW2 story, but
this time through American eyes. It is 1943 when Rita Vincenzo and Glory
Whitehall start to correspond. They seem to have nothing in common except that
both of their desperately missed husbands are fighting in a war half a world
away from home. Rita is a professor's wife, middle-aged and sensible, Glory a
rich, young and impulsive society butterfly. Their developing friendship and how
their unwavering support of each other changes their lives, makes this a
fascinating book.
WW2 is a rich vein
to mine for epistolatory fiction – Joyce Dennys’ Henrietta’s War and its
sequel are both charming and funny. Henrietta is a village doctor’s wife and
writes regularly to her childhood friend Robert, who is Somewhere in France. As
she chronicles the dramas and squabbles of village life, we meet a captivating
set of characters and learn how they coped with wartime conditions.
The Guernsey Literary And
Potato Peel Pie Society
by Mary Ann Shaffer consists of letters written soon after WW2 by different members
of the eponymous literary society. They are addressed to Juliet Ashton, a
London writer, and gradually an intriguing tale unfolds of life under the
recent German occupation of Guernsey, seen through the eyes of Juliet’s various
correspondents.
Another Golden Oldie
well worth re-reading
is 84 Charing Cross Road by Helene Hanff:
the letters she wrote over twenty years to Frank Doel, chief buyer of Marks
& Co, antiquarian booksellers in London. The book is interesting not only
for the insight it gives into wartime conditions in New York and London, but
also for the variety of books that Helene orders from the bookshop, and her
potted reviews of the ones she read and enjoyed. I was introduced to many enjoyable
books through Helene!
Reaching even
further into the past than
WW2, I have discovered a delightful epistolatory novel
(complete with sequel) by Jane Dawkins. In Letters From Pemberley, Ms Dawkins gives
us a glimpse into the married life of Elizabeth Bennet and Mr Darcy, picking up
the story where Jane Austen ended it. Elizabeth writes to her favourite sister
Jane, now happily married to Mr Bingley and settled down at Netherfield Park.
Jane Austen fans will devour these slim volumes at a sitting and wanting more,
like Oliver!
Finally, a very slim volume indeed, but one that always makes me laugh out
loud during the whole ten minutes it takes to read: The Twelve Days of Christmas by John Julius Norwich,
marvellously illustrated by Quentin Blake.
It consists of twelve thank-you letters written by a young woman to her
fiancé who is sending her a series of romantic Christmas gifts. From the first
enthusiastic thank you for the “charming, romantic little partridge in the
lovely pear tree”, to the final solicitor’s letter threatening an injuction if
the full percussion section of the London Philharmonic Orchestra is not removed
from his client’s lawn forthwith, these letters are hilarious in their
escalating indignation.
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